16 Crime Stories We’re Reading For Pride Month and Beyond

Misha knows that chasing success in Hollywood can be hell. But after years of trying to make it, his big moment is here: an Oscar nomination. And the executives at the studio for his long-running streaming series know just the thing to kick his career to the next level: kill off the gay characters, “for the algorithm,” in the upcoming season finale. Misha refuses, but he soon realizes that he’s just put a target on his back. And what’s worse, monsters from his horror movie days are stalking him and his friends through the hills above Los Angeles. Haunted by his past, Misha must risk his entire future—before the horrors from the silver screen find a way to bury him for good.

Sister Holiday struggles to stay on the righteous path. Never one to make things easy for herself, she’s committed to taking her permanent vows with the Sisters of the Sublime Blood and joining former fire inspector Magnolia Riveaux’s latest venture, Redemption Detective Agency—both in service of satisfying her eternal quest for answers. When Sister Holiday and Riveaux set out to bust a philandering husband, they instead find the body of a priest floating in the swollen Mississippi River, and with it, Redemption’s next case. It’s significantly more gruesome than their orig­inal mission, but Sister Holiday feels called on by God to hunt down the murderer and keep her community safe. A lacerating and lyrical plunge into obsession, deception, and the questions that hold us captive, Blessed Water is a lights-out mystery that will leave you breathless.

In the summer of 1934, Joe Garbe arrives in Chicago with one goal: Earn enough money to get out of debt and save the family farm. Joe’s cousin sets him up with a hotel job, then proposes a sketchy scheme to make a lot more money fast. While running his con, Joe finds himself splitting time between Eddie, a handsome flirt on a delivery truck, and Raymond, a carefree rich kid who shows Joe the eye-opening queer life around every corner of the big city. Joe’s exposure to the surface of criminal Chicago pulls him into something darker than he could have imagined. When danger closes in-from gangsters, the police, and people he thought were friends-Joe needs to pack up and get lost. But before he can figure out where to go, he has to decide who he wants to be. I’ll Take Everything You Have is a vivid portrayal of queer coming of age in Depression-era Chicago, and a timeless story of trying to make your future bright when the rest of the world is dead set on keeping it hidden in the dark.

Grieving mother Magos cuts out a piece of her deceased eleven-year-old son Santiago’s lung. Acting on fierce maternal instinct and the dubious logic of an old folktale, she nurtures the lung until it gains sentience, growing into the carnivorous little Monstrilio she keeps hidden within the walls of her family’s decaying Mexico City estate. Eventually, Monstrilio begins to resemble the Santiago he once was, but his innate impulses–though curbed by his biological and chosen family’s communal care–threaten to destroy this fragile second chance at life. A thought-provoking meditation on grief, acceptance, and the monstrous sides of love and loyalty, Gerardo Sámano Córdova blends bold imagination and evocative prose with deep emotional rigor. Told in four acts that span the globe from Brooklyn to Berlin, Monstrilio offers, with uncanny clarity, a cathartic and precise portrait of being human.

When Gyre Price lied her way into this expedition, she thought she’d be mapping mineral deposits, and that her biggest problems would be cave collapses and gear malfunctions. She also thought that the fat paycheck—enough to get her off-planet and on the trail of her mother—meant she’d get a skilled surface team, monitoring her suit and environment, keeping her safe. Keeping her sane. Instead, she got Em. Em sees nothing wrong with controlling Gyre’s body with drugs or withholding critical information. Em knows all about Gyre’s falsified credentials, and has no qualms using them as a leash—and a lash. But Em has secrets, too. As Gyre descends, little inconsistencies—missing supplies, unexpected changes in the route, and, worst of all, shifts in Em’s motivations—drive her out of her depths. Lost and disoriented, Gyre finds her sense of control giving way to paranoia and anger. On her own in this mysterious, deadly place, surrounded by darkness and the unknown, Gyre must overcome more than just the dangerous terrain and the Tunneler which calls underground its home if she wants to make it out alive—she must confront the ghosts in her own head.

Welcome to Neverton, Montana: home to a God-fearing community with a heart of gold. Nestled high up in the mountains is Camp Damascus, the self-proclaimed “most effective” gay conversion camp in the country. Here, a life free from sin awaits. But the secret behind that success is anything but holy. And they’ll scare you straight to hell.

In Her Body and Other Parties, Carmen Maria Machado blithely demolishes the arbitrary borders between psychological realism and science fiction, comedy and horror, fantasy and fabulism. A wife refuses her husband’s entreaties to remove the green ribbon from around her neck. A woman recounts her sexual encounters as a plague slowly consumes humanity. A salesclerk in a mall makes a horrifying discovery within the seams of the store’s prom dresses. One woman’s surgery-induced weight loss results in an unwanted houseguest. And in the bravura novella “Especially Heinous,” Machado reimagines every episode of Law & Order: Special Victims Unit, a show we naïvely assumed had shown it all, generating a phantasmagoric police procedural full of doppelgängers, ghosts, and girls with bells for eyes. Earthy and otherworldly, antic and sexy, queer and caustic, comic and deadly serious, Her Body and Other Parties swings from horrific violence to the most exquisite sentiment. In their explosive originality, these stories enlarge the possibilities of contemporary fiction.

Three years ago, Alice spent one night in an abandoned house with her friends, Ila and Hannah. Since then, Alice’s life has spiraled. She lives a haunted existence, selling videos of herself for money, going to parties she hates, drinking herself to sleep. Memories of that night torment Alice, but when Ila asks her to return to the House, to go past the KEEP OUT sign and over the sick earth where teenagers dare each other to venture, Alice knows she must go. Together, Alice and Ila must face the horrors that happened there, must pull themselves apart from the inside out, put their differences aside, and try to rescue Hannah, whom the House has chosen to make its own. Cutting, disruptive, and darkly funny, Tell Me I’m Worthless is a vital work of trans fiction that examines the devastating effects of trauma and how fascism makes us destroy ourselves and each other.