10 Killer Multiple POV Mysteries

When Ruby McTavish Callahan Woodward Miller Kenmore dies, she’s not only North Carolina’s richest woman, she’s also its most notorious. The victim of a famous kidnapping as a child and a widow four times over, Ruby ruled the tiny town of Tavistock from Ashby House, her family’s estate high in the Blue Ridge Mountains. But in the aftermath of her death, her adopted son, Camden, wants little to do with the house or the money—and even less to do with the surviving McTavishes. Instead, he rejects his inheritance, settling into a normal life as an English teacher in Colorado and marrying Jules, a woman just as eager to escape her own messy past. Ten years later, his uncle’s death pulls Cam and Jules back into the family fold at Ashby House. Its views are just as stunning as ever, its rooms just as elegant, but the legacy of Ruby is inescapable. And as Ashby House tightens its grip on Jules and Camden, questions about the infamous heiress come to light. Was there any truth to the persistent rumors following her disappearance as a girl? What really happened to those four husbands, who all died under mysterious circumstances? And why did she adopt Cam in the first place? Soon, Jules and Cam realize that an inheritance can entail far more than what’s written in a will–and that the bonds of family stretch far beyond the grave.

On an island off the coast of Ireland, guests gather to celebrate two people joining their lives together as one. The groom: handsome and charming, a rising television star. The bride: smart and ambitious, a magazine publisher. It’s a wedding for a magazine, or for a celebrity: the designer dress, the remote location, the luxe party favors, the boutique whiskey. The cell phone service may be spotty and the waves may be rough, but every detail has been expertly planned and will be expertly executed. But perfection is for plans, and people are all too human. As the champagne is popped and the festivities begin, resentments and petty jealousies begin to mingle with the reminiscences and well wishes. The groomsmen begin the drinking game from their school days. The bridesmaid not-so-accidentally ruins her dress. The bride’s oldest (male) friend gives an uncomfortably caring toast. And then someone turns up dead. Who didn’t wish the happy couple well? And perhaps more important, why?

On a brisk fall night in a New York apartment, 35-year-old Billie West hears terrified screams. It’s her lifelong best friend Cassie Barnwell, one floor above, and she’s just realized her infant daughter has gone missing. Billie is shaken as she looks down into her own arms to see the baby, remembering–with a jolt of fear–that she is responsible for the kidnapping that has instantly shattered Cassie’s world. Once fiercely bonded by their secrets, Cassie and Billie have drifted apart in adulthood, no longer the inseparable pair they used to be in their small Hudson Valley hometown. Cassie is married to a wealthy man, has recently become a mother, and is building a following as a lifestyle influencer. She is desperate to leave her past behind–including Billie, who is single and childless, and no longer fits into her world. But Billie knows the worst thing Cassie has ever done, and she will do whatever it takes to restore their friendship…

Two women. Many aliases. Meg Williams. Maggie Littleton. Melody Wilde. Different names for the same person, depending on the town, depending on the job. She’s a con artist who erases herself to become whoever you need her to be—a college student. A life coach. A real estate agent. Nothing about her is real. She slides alongside you and tells you exactly what you need to hear, and by the time she’s done, you’ve likely lost everything. Kat Roberts has been waiting ten years for the woman who upended her life to return. And now that she has, Kat is determined to be the one to expose her. But as the two women grow closer, Kat’s long-held assumptions begin to crumble, leaving Kat to wonder who Meg’s true target is. The Lies I Tell is a twisted domestic thriller that dives deep into the psyches and motivations of two women and their unwavering quest to seek justice for the past and rewrite the future.

Lee Gulliver never thought she’d find herself living on the streets–no one ever does—but when her restaurant fails, and she falls deeper into debt, she leaves her old life behind with nothing but her clothes and her Toyota Corolla. In Seattle, she parks in a secluded spot by the beach to lay low and plan her next move–until early one morning, she sees a sobbing woman throw herself into the ocean. Lee hauls the woman back to the surface, but instead of appreciation, she is met with fury. The drowning woman, Hazel, tells her that she wanted to die, that she’s trapped in a toxic, abusive marriage, that she’s a prisoner in her own home. Lee has thwarted her one chance to escape her life. Out of options, Hazel retreats to her gilded cage, and Lee thinks she’s seen the last of her, until her unexpected return the next morning. Bonded by disparate but difficult circumstances, the women soon strike up a close and unlikely friendship. And then one day, Hazel makes a shocking request: she wants Lee to help her disappear. It’ll be easy, Hazel assures her, but Lee soon learns that nothing is as it seems, and that Hazel may not be the friend Lee thought she was.

Picture a lovely cottage on a cliff, with sloping lawns, walking paths, and beautiful flowers. It’s Gabe and Pippa Gerard’s dream home in a sleepy coastal town. But their perfect house hides something sinister. The tall cliffs have become a popular spot for people to end their lives. Over the past several months, Gabe comes to their rescue, literally talking them off the ledge. Until one day, he doesn’t. When Pippa discovers Gabe knew the victim, the questions spiral. . . .Did the victim jump? Was she pushed? And would Gabe, the love of Pippa’s life, her soulmate . . . lie? As the perfect façade of their marriage begins to crack, the deepest and darkest secrets begin to unravel. Because sometimes, the most convincing lies are the ones we tell ourselves.